Review: Sweet Valley Confidential by Francine Pascal

It had to happen eventually.

What started as a soap-like series of paperbacks about a pair of sixteen year old high schoolers, genetically blessed Elizabeth and Jessica Wakefield, and their friends in 1983, soon became a massive franchise. By the time the series ended in 2003 there were books covering the lives of the twins and their friends from age seven (Sweet Valley Kids) all the way up to when they were on the cusp of their twenties (Elizabeth.) From birthday parties that ended in tragedy to having their very old roller coaster installed in their backyard, to being seduced by vampires and solving mysteries whilst staring in Hollywood movies, there was very little that hadn't happened to Elizabeth and Jessica Wakefield. 

And then in 2011 Sweet Valley Confidential came along. It went where none of the other series had ever dared to. It featured Elizabeth and Jessica Wakefield as adults.

It's a great idea. However, what could have been a great nostalgia trip for old fans, or at least a little bit of trashy fun only goes one way--downhill--from there.

The premise is this. Ten years have passed since Elizabeth and Jessica Wakefield graduated from Sweet Valley High. Presumably, Elizabeth didn't stay in England and marry Max after all (which was the cliffhanger ending to the final book in the Elizabeth series,) as she is now living in New York and working as a journalist. Or more specifically, she writes theatre reviews. She's single and has a most un-Elizabeth-like friends-with-benefits arrangement with a male friend. And she isn't speaking to Jessica who is back in Sweet Valley, and who is engaged to none other than Todd Wilkins. The pair became engaged shortly after Elizabeth discovered that Todd had been cheating on her with Jessica. And in short, the whole novel is about how Jessica gets Todd after all (the same guy who, ironically, she and Elizabeth fought over in Double Love, the first ever Sweet Valley novel,) and how Elizabeth tries to get her revenge, but eventually learns that acceptance is more important than revenge. Which is fine, except for one thing.

Author Francine Pascal completely disregards the cannon and key events that occurred in the series that she created. Histories, personalities and occasionally even names of key characters are changed. Including those of Elizabeth Wakefield and Todd Wilkins, who were very much broken up by Sweet Valley University. Other key characters, such as rich and spoiled bad boy, Bruce Patman, have undergone major personality changes. (Spoiler: he's now Elizabeth Wakefield's best friend. Meanwhile, Enid has ditched the Alex persona, but everyone still hates her.) And one major character is revealed to be gay, but again, this erases key events and characters from the series. 

Overall, this was a disappointing read in more ways than one. The writing itself is poor, the plot is thin and there is very little in there that would please any reader who read past book three of Sweet Valley High. 

Not recommended.

Comments

Kells said…
As long term fan of SVH and SVU I was so disappointed in this and you spelled out exactly why I loathed it so much. Francine should have left it to the ghost writes. I haven’t bothered to read the rest of the series and gone back to reading svh and svu. Granted people change but they don’t totally change their personalities. This book was so disappointing.
10 January 2024 at 12:52
Chibbee said…
Thanks for this post. Yeah, the whole Steven and Cara thing threw me for a loop because they were my fave couple back in the day. Doing what they did with Steven in Confidential was bizarre to me given his whole backstory and deep love for Tricia, too. I have nothing against (spoilers) having a closeted gay character, at all, it just didn't suit Steven imo given he was very obviously attracted to women throughout the series and had steady girlfriends throughout. If you're going to retcon a major character change like that at least make it better or more clever. There are lots of guy characters in the series with ambiguous love lives that would have worked: Nicholas Morrow, Ken Matthews or even Bruce being bi or something would have made more sense to me.

I had no idea Francine Pascal herself wrote Confidential? Why change the characters so much and get their personalities so wrong? Just to make things interesting? I don't even care about the Todd Wilkins switch to Jessica so much (he was so boring in the books, I hated Liz's on again off again) but it's still pretty crazy the way she did it and seems out of character. So glad I never read Confidential.
24 June 2024 at 13:13
Post a Comment

Popular posts from this blog

Peppermint Patty: I Cried and Cried and Cried

Image
Unrequited love is a common theme in the Peanuts Comics and is one that I have previously explored on this blog. We know that Lucy loves Schroeder, Sally loves Linus and Charlie Brown has a crush on the unseen, unnamed and utterly unattainable Little Redhaired Girl. But perhaps the saddest unrequited love stories from the comic is that which ran in late June 1972. It was the series of strips where the usually self-confident Peppermint Patty came face-to-face with the Little Redhaired Girl with the intention of thumping her and then something surprising happened: Here we have a usually self-confident girl, who is funny, unashamedly herself and talented at sports reduced to tears by the realisation of who she is not and never can be. I really feel for her in this series of comic strips. She knows that Charlie Brown can never love her, when he is so hung up over a girl who represents a supposedly ideal feminine beauty. Fortunately Linus, the most spiritual member of the Pean
Read more

Charlie Brown, Lucy Van Pelt and the Football

Image
One of the longest, and arguably, most infuriating, running gags in Charles Schulz's otherwise brilliant Peanuts comic strip, is where Lucy promises to hold a football for Charlie Brown and then pulls it away at the last minute, causing Charlie Brown to fall flat on his back. A typical strip looks like this: Source: Go Comics The gag is one of the darker themes in the strip. It works on the concept that every year, Lucy promises to hold a football for Charlie Brown. Every year, Charlie Brown is initially filled with doubt but is eventually pushed on by a kind of optimism that perhaps, this time, Lucy might just let him kick it after all. As a metaphor for life, it is pretty simple. It talks of the moments when we choose to put our trust in people who have let us down only to be taken by surprise when they let us down, again. Lucy is, arguably, one of the crueller characters in the comic. Described as crabby by the other characters, she is often selfish, takes delight in wilfully hu
Read more

Phrases and Idioms: Tickets on Himself

To have tickets on himself: (Australian slang.) To be conceited or vain. To have an overinflated opinion of oneself.  He's got tickets on himself if he thinks that any woman would fall for that. I was thinking about this particular bit of Australian slang the other day, after my boss said, "He's got tickets on himself," to describe the actions of a particular individual. At the time, I smiled, knowing exactly what the boss meant. Later on, I started to ponder on this unusual phrase and wondered where it might have come from. A search on google helped me find the definition, but that was about all. There are no references to it being used in pop culture or literature (if you find one, let me know,) and at the time of writing this post, Tickets on Himself was not listed on Urban Dictionary. (I tried to add it, but the fuckers rejected my definition. They probably think I have tickets on myself or something for trying to add a relatively common piece of A
Read more